Webisode 2
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In this ZÁY SHEEN Webisodes episode, Tafreed sits down with veteran sustainable fashion leader Bridgett Artise, founder of Born Again Vintage, House of BAV, and Sustainable Fashion Week US, to explore why the future of fashion is already here. Bridgett shares how she has been upcycling for over 20 years, long before “sustainable fashion” became a popular term, and how her journey from thrift store experiments to publishing a book and teaching at FIT grew from pure passion and shock at the harms of the fashion industry. She explains why sustainability is a natural way of living, rooted in older practices like mending, reusing, and seasonal wardrobes, and highlights the emotional and cultural power of vintage garments, which carry history, craftsmanship, and personal stories that fast fashion cannot match. Bridgett talks about her teaching style, her focus on transparency and true sustainability in production, and challenges aspiring designers to find a unique “why” instead of copying what already exists. Together, she and Tafreed discuss overproduction, microplastics, ethical labor, cultural heritage from Pakistan, Thailand, and the United States, and the belief that in the next decade, fashion will have no choice but to become circular and sustainable, with upcycling at its core.
In this ZÁY SHEEN Webisodes conversation, Tafreed sits down with Bridgett Artise, a true pioneer in sustainable fashion, to explore what the future of clothing really looks like. Bridgett is the founder of Born Again Vintage, House of BAV, and Sustainable Fashion Week US, and an educator at FIT. She has been doing sustainable fashion long before most people even knew what to call it. This blog dives into her story, philosophy, and lessons for emerging brands like ZÁY SHEEN and conscious consumers everywhere.
Bridgett did not enter fashion planning to be a designer or sustainability advocate. She studied buying and merchandising at FIT and described herself as a “Bloomies girl” who loved shopping at big retailers.
Everything changed when she stepped into a thrift shop, bought a pile of vintage clothing, cut it up, and turned it into something new. People started asking to buy her creations. For her, it was simply fun and creative. Her customers were the ones who told her it was eco-friendly.
What started as curiosity and passion turned into a lifelong mission to educate, upcycle, and inspire.
One of Bridgett’s most powerful ideas is simple:
Sustainability is not a trend. It is our natural way of living.
Nothing about that behavior needed a fancy label. It was instinctive, practical, and respectful of resources. Over time, with fast fashion and convenience culture, we drifted away from that mindset.
Bridgett believes this instinct is still inside us. Sustainability is not something new to learn. It is something to remember and return to.
For Bridgett, vintage clothing is not just about style. It is about connection.
She explains that when someone wears a vintage sweater, they almost always have a story:
Who gave it to them, where they found it, and what it reminds them of.
Compare that with a cheap, fast-fashion T-shirt that millions of people own. No story. No bond. No reason to treasure or keep it.
Vintage allows people to feel history on their skin. It also helps reduce the need for new production, which is essential in a world drowning in excess clothing.
Bridgett believes this instinct is still inside us. Sustainability is not something new to learn. It is something to remember and return to.
Bridgett started by buying vintage and thrifted pieces to upcycle. Over time, something amazing happened. People began donating clothes directly to her brand.
Now, Born Again Vintage operates solely on donations.
She also jokes that she will never see a Born Again Vintage piece in a landfill. Each item is one-of-a-kind, classic, and meaningful. If someone no longer wants it, they are much more likely to pass it on rather than throw it away.
That is what real circular fashion looks like.
As an educator, Bridgett’s classes are not just lectures. They are hands-on, creative labs where students literally transform garments.
Many students come in saying things like,
“I do not know how to sew.”
Bridgett’s response: you do not need to be a master tailor to upcycle. There are no strict rules, no limits, and endless possibilities. By the end of the course, students who were scared to cut fabric are proudly presenting pieces they never thought they could make.
She also learns from them. Students introduce her to new platforms, resale apps, and cultural perspectives that keep her work relevant and evolving. It is a two-way exchange of energy and knowledge.
One of her signature challenges is a 30-day no shopping challenge for clothing. Then 60 days. Then more. Once students realize how much they already own, their relationship with consumption changes.
For Bridgett, truly sustainable production starts before the product is even made.
She is also very clear about one hard truth:
There is already enough clothing on Earth to dress many generations. Strictly speaking, we do not need to produce anything new.
And above all, she wants more visibility. She wants brands to show the behind-the-scenes process. When consumers actually see the care, labor, and intention that go into a garment, they are far more likely to respect the garment and the maker.
When Tafreed introduces ZÁY SHEEN and its cultural roots in Pakistan, Thailand, and the United States, Bridgett sees a special opportunity.
Bridgett believes that in the long run, we simply will not have a choice. The future of fashion will have to be sustainable.
Fast fashion cannot continue to operate at its current pace forever. With the climate crisis, rising awareness, and growing regulation, the industry will be forced to slow down and clean up.
In other words, the future many people talk about is already being built by pioneers like Bridgett and emerging founders who are willing to do the work.
Bridgett closes with a message that applies to designers, founders, and everyday consumers:
She does not believe in failure when someone is willing to try. The only real failure is refusing to act at all.
Her journey from thrift store experiments to author, teacher, and platform builder proves that when passion meets persistence, unexpected doors open. The world of fashion does not change through perfection. It changes through people who care enough to keep going.